SKU: HL.14037301
H. Diack Johnstone - Author.
Edited by H. Diack Johnstone.
SKU: HL.14001637
SKU: CF.CM9638
ISBN 9781491157107. UPC: 680160915668. 6.875 x 10.5 inches. Key: A minor. English, English. Original.
Robinson's TBB arrangement of this beloved Bennett madrigal, originally published for four voices in 1599, has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. A wonderful concert or festival staple piece!.Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time. Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty. The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel. Enjoy this wonderful madrigal!.Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time.Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices.The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty.The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel.Enjoy this wonderful madrigal!
SKU: HL.260178
ISBN 9781540040244. UPC: 888680726591. 6.75x10.5x1.796 inches.
John Leavitt has established a reputation for carefully selecting important and historic repertoire, editing it in ways to make singers successful, all while staying true to the stylistic period. This new collection includes Fair Phyllis I Saw (John Farmer), Weep, O Mine Eyes (John Bennet), All Lust und Freud, Tanzen und Springen (Hans Leo Hassler), Il est bel et bon (Pierre Passereau), Tant que vivray (Claudin de Sermisy), Fa una canzona (Orazio Vecchi) and Bonzorno madonna (Antonio Scandello). A value-priced collection of important and standard works.
SKU: GH.SK-189
ISBN 9790070014427. A4 inches.
For utgavan svarar Lars Blohm.
SKU: GH.CG-6781
ISBN 9790070002677. 185 x 262 mm inches. Text: Kjell Bengtsson (Swedish).
For blandad kor a cappella. Med pianoreduktion for instudering.
SKU: HL.14066621
SKU: CF.JB111
ISBN 9780825897108. UPC: 798408097103. 9 x 12 inches.
The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer.
About The New Bennett Band Book Series
The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.
SKU: CF.JB122
ISBN 9780825897214. UPC: 798408097219. 9 x 12 inches.
SKU: CF.JB110
ISBN 9780825897092. UPC: 798408097097. 9 x 12 inches.
SKU: CF.JB104
ISBN 9780825897030. UPC: 798408097035. 9 x 12 inches.